His first solo album, Weekend at Bernie's arrived in 2009, along with four other albums. Musical careerĪfter forming his own label, Bern One Entertainment in 2007, Berner released his debut album, Track Money & Pack Money, with Equipto. During high school, Berner began battle rapping and in 2006 he released his first mixtape, Dirty Sneakers.Plenty Ways to Get It. When Berner was 13, the family moved to Arizona, where his father planned to open a restaurant. His mother was an office worker and his father was a chef at a Mexican restaurant on Fillmore Street. Storage of the start time of each session.A Sunset District native, Berner attended Galileo Academy of Science and Technology before dropping out. Used by Google Tag Manager in order to control the loading of the Google Analytics Script Tag. Recognition of visitors for Google AdSense. Īssignment of interactions to each session. Recognition of visitors for Google Analytics. Used by Facebook to display a number of advertising products, such as real-time bids from third-party advertisers.
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Your approximate location (country and city).clicks, scrolling behaviour and stay time length) When you visit our website, the following data, among others, is recorded: However, since we only forward your IP address (in shortened form, so that no clear identification is possible) and technical information such as browser, Internet provider, terminal device and screen resolution to Google, we consider the risk to be moderate and the probability of actual access to your data rather low. Moreover, the US does not provide adequate guarantees for the protection of personal data. There are no effective remedies or legal protection against this. +43-1-515 60-386 present, there is no adequate level of data protection in the USA, and it cannot be excluded that state security authorities may issue corresponding orders to the third-party providers (Google and Meta Platforms, Inc.) to gain access to the aforementioned data for control and monitoring purposes. de Chirico, oil on canvas, 49.5 x 60 m, framed, (PP) Eine Reise ins Ungewisse, published by Benteli, Bern, 1997, page 204–229) (Arnold Böcklin, Giorgio De Chirico, Max Ernst. His ability to present the unreal as normal and every day is further evidence of a deep bond between De Chirico and Böcklin.ĭe Chirico tries to present the concept of “interpreting nature“ as a means of combining landscape with mythology in an indirect manner, without stepping out of Böcklin’s defined boundaries of late Romantic image conception. In the work here too, he combines elements from various levels of reality, lending the Hellenist statues a human, almost lively character. Yet, De Chirico combines the “naturalistic” depiction of actual landscapes and architectural features with a mythological element: he is combining reality with mythology. The artistic transformation of a real place, an important feature of Böcklinism, is continued in De Chirico’s work. The painting depicts an impressive rocky reef, rising from the sea, draped in a cloak of dark cypresses. The combining of important experiences or decisive events with gods and heroes from Greek mythology is a characteristic trait of De Chirico’s art, which is almost constantly autobiographically motivated.Īs in the theatrical scenes of the work here, Rocce Misteriose (mysterious stones), we can clearly recognize the character of the Mediterranean island world, for example Pontikonisi, which was the inspiration behind Arnold Böcklin’s work Toteninsel (island of the dead). Giorgio de Chirico was born in Greece in 1888, the son of Italian parents, and spent the early years of his childhood in the country of the classics, an influence which was to remain with him throughout his entire creative life. Despite a lack of written documentation, De Chirico’s böcklinismo is associated with the originals held in Munich’s museums. The work here, Rocce Misteriose, by Giorgio De Chirico is clearly influenced by the works of Arnold Böcklin, a representative of the late German Romantic.īöcklinist elements repeatedly appear in De Chirico’s works, with the artist sometimes adopting entire scenes and motifs from Böcklin’s paintings and interpreting them in his own manner.
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de Chirico, oil on canvas, 49.5 x 60 m, framed, (PP)Ĭlaudio Bruni Sakraischik, Rome, 27 December 1985, archive no. (Volos, Greece, 1888–1978 Rome) Rocce misteriose, circa 1970, signed G.
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